Monday Motivation….. May 20, 2013 (119)
In early 90’s Itzhak Perlman, a violinist came on stage to give a concert in New York City. He was stricken with polio as a child, and so he has braces on both legs and walks with the aid of two crutches. He walks painfully, yet majestically, until he reaches his chair. Then he sits down, slowly, puts his crutches on the floor, undoes the clasps on his legs, tucks one foot back and extends the other foot forward. Then he bends down and picks up the violin, puts it under his chin, nods to the conductor and proceeds to play. But this time, something went wrong. Just as he finished the first few bars, one of the strings on his violin broke. You could hear it snap – it went off like gunfire across the room. There was no mistaking what that sound meant. Everyone figured that he would have to get up, put on the clasps again, pick up the crutches and limp his way off stage – to either find another violin or else find another string for this one. But he didn’t. Instead, he waited a moment, closed his eyes and then signaled the conductor to begin again. The orchestra began, and he played from where he had left off. And he played with such passion and such power and such purity as they had never heard before. Of course, anyone knows that it is impossible to play a symphonic work with just three strings, but that night Itzhak Perlman refused to know that. Everyone present could see him modulating, changing, and re-composing the piece in his head. At one point, it sounded like he was de-tuning the strings to get new sounds from them that they had never made before. When he finished, there was an awesome silence in the room. And then people rose and cheered. There was an extraordinary outburst of applause from every corner of the auditorium
He smiled, wiped the sweat from this brow, raised his bow to quiet everyone, and then he said – not boastfully, but in a quiet, pensive, reverent tone – “You know, sometimes it is the artist’s task to find out how much music you can still make with what you have left.”
Moral:
Perhaps that is the definition of life – not just for artists but for all of us.
Our task in this shaky, fast-changing, bewildering world in which we live is to make ‘music’, at first with all that we have, and then, when that is no longer possible, to make ‘music’ with what we have left.
Have a great week ahead…
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